Mission: Impossible - Ghost Protocol

Mission: Impossible - Ghost Protocol:
  
Plot:
 After an incursion into the Kremlin goes explosively awry, secret spy force IMF is shut down and its agents disavowed. Ethan Hunt (Tom Cruise) and his small band of allies have mere days to prevent wily terrorist Hendricks (Nyqvist) from unleashing nuclear winter on America’s West Coast.ReviewNo need to wait until summer for The Amazing Spider-Man. The main attraction in Mission: Impossible — Ghost Protocol, Brad Bird’s frisky take on Paramount’s spy property, is a dizzyingly brilliant action sequence set high above Dubai, in and around the 130th floor of the Burj Khalifa.

It was inevitable, given Tom Cruise’s career-long quest to clamber up increasingly vertiginous objects, that eventually he’d take on the world’s tallest building. But unlike the rock-climbing bit in M:I-2, this isn’t just an excuse to flaunt his triceps. As our hero miraculously ascends the sheer glass wall, staking his life on a pair of futuristic magnet-gloves powered by shonky batteries, Bird slows things down and lets us feel the height. Then he lets rip, throwing in hazard after hazard, flinging his star about like a rag doll and generally whipping up tension like a sandstorm (the scene has one of those, too).

It’s pure popcorn cinema — thrilling, playful, seemingly CGI-free — and by far the movie’s standout.That’s not to say the rest is a big letdown. After a brisk opening in a Russian prison, where Ethan Hunt (Tom Cruise) is found bouncing a rock off his cell wall like a buffer Cooler King, there’s hardly a pause for breath before he’s marching into the Kremlin, armed only with a Des Lynam moustache and reversible jacket. This set-piece establishes the tone.

The previous entry in the franchise, J. J. Abrams’ M:I-3, was the intense one, where Hunt was forced to confront his past and Philip Seymour Hoffman sweated a lot. It grossed less than its predecessors, so for the fourquel Cruise has gone for a fizzier, sillier vibe, recruiting Pixar golden boy Bird for his first foray into live action. There are shades of The Incredibles to be found in the bonkers technology (contact lenses that double as cameras; iPads that sprout holograms) and peppy, clearly storyboarded-to-an-inch-of-its-life action.

The pace, for the most part, is relentless: there’s no romance — despite a smidgen of token light flirting between Ethan and new team member Jane (Paula Patton) — and minimal exposition.Which is just as well, as this fourth instalment’s biggest weakness is its plot. No doubt it’s devilishly hard these days to think up a fresh adversary for a team of world-savers, but the Big Bad here is as stale as they come: a crazed terrorist (Michael Nyqvist) with a jones for triggering nuclear annihilation. It’s unclear exactly what he hopes to achieve, but as the film piles on the usual tropes (a briefcase full of codes, a submarine, a satellite), it all starts to feel one Jonathan Pryce away from becoming a Brosnan Bond.

There’s sag, too, in the final stretch, which throws in Slumdog Millionaire’s Anil Kapoor as a horndog millionaire and a mêlée in a bizarre sci-fi car park.Even with these flaws, Ghost Protocol (a cooler title than Skyfall?) remains fun from start to end. This is largely due to an increased focus on team play, with Cruise, who’s now finally starting to look his age, especially on an IMAX screen, yielding a few of the action beats to co-star Jeremy Renner and even letting Simon Pegg have a gun. Pegg, who’s been promoted to second lead following his few techy scenes in M:I-3, has effectively become Danny Butterman to Cruise’s Nicholas Angel, tagging along for the dangerous stuff while sporting a goofy grin.

His Benji isn’t quite the comedy powerhouse that the film thinks he is, but that’s more a fault of the script, which is often not quite sharp or funny enough. Still, if Bird’s aims were to revitalise the franchise and prove he can orchestrate real-world balletics as expertly as the pixelated kind, it’s mission accomplished on both counts.VerdictStill not an essential series like Bourne or Bond, but this entry has a refreshingly light touch and some of the best action of 2011.

See it at an IMAX for optimal vertigo-inducing effect.Reviewer: Nick de SemlyenWrite Your ReviewTo write your review please login or register.Advertisementclick hereYour ReviewsAverage user rating for Mission: Impossible - Ghost ProtocolEmpire Star RatingThere was no need for the sly dig at Jonathan Pryce and "Tomorrow never dies". That was a solid bond film. The Brosnan Bond films only started slipping AFTER that movie. Anyway, I'll definitely see this. It looks like a good popcorn movie. ...


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Boardwalk Empire Finale Recap: The Stylish Surprise Ending

It's finale time on Boardwalk Empire, all rain- and blood-soaked, and we're off with a bang. A satisfying bang, at that, as Jimmy and his masked partner-in-crime Richard execute Chucky's vengeance on the KKK. After the murderous end of his father, it's clear Jimmy is attempting to rally every troop possible to secure his succession to Atlantic City's throne. The plaid-suited Chalky & Co. bring down the sledge hammers, but the violence feels futile; the black community still has a long way to go toward safety and recognition. 

Nucky and Jimmy meet for the first time in months. Jimmy is injured, tired — his bandages and braces put him in sharp relief against Nucky's unflappable posh. Weirdly, Jimmy opens up to him, admits his weariness in fighting, and offers his help against Nucky's legal troubles. It's a touching scene, but it's hard to see what the would-be king can do against the ruthlessness of the U.S. Attorney Esther Randolph, harder still to expect that any of this is real.

Esther seems to have gotten through to Margaret, who has been suffering horribly in guilt since her daughter's contraction of polio. Esther plays upon Margaret's doubts, seeming to drive the wedge deeper into the couple. Nucky appeals to her personally, though, in one of the most frank conversations they have ever had — or at least it seems that way. It's worth mentioning his beautiful pin-collar and high-lapelled waistcoat as he speaks faux-earnestly. Nucky goes on about his love for their family, their children, and urges her to marry him — for his freedom, for family, for this boss' complex understanding of what really matters to him. (Besides the clothes.)

His admission impresses Margaret's sympathies, but it's a moment she later observes between Nucky and her crippled daughter that seals her change of heart. And so marries her quite immediately in one of the most beautiful suits we've seen on the show, a glorious costume for a happy man: rich pink waistcoat, pink-checked shirt, beautiful pink paisley tie, and brown brogues. Gorgeous. And his luck doesn't end there. Jimmy sets the wheels in motion to secure the recanting of all Nucky's opponents — including one necessary "suicide" confession. As if instantly, Esther's ducks are scattered, and Nucky is a free man.
It's soon back to family matters. Jimmy is looking more fatherly than ever in blue chambray and a beautiful brown, striped vest. He spends quality time with his son, but ever under the watchful eye of his predatory mother. Nucky reaches out to Eli and offers him a deal, in spite of the revelation that Eli had once ordered the hit on him. 

And then, just as it seems like the season is going to end with the mush of a vest-to-three-piece embrace, comes the biggest bang of all. (The spoiler-scared might stop here.) In a sweeping, thunderous scene of chosen words and soaked suits, we say farewell to our favorite character and — Michael Pitt's Jimmy Darmody having become one of the medium's few remaining paradigms of style, complexity, and attitude — also to one of the more memorable faces of modern television. "I am not seeking forgiveness," Nucky says slowly, and then delivers the second bullet, instantly reminding us of this show's reliance on revenge. This is Boardwalk Empire's Tony-whacks-Christopher moment, and it is just as revelatory of the bitter relentlessness deep within the bad men of those times and ours. 

There will always be blood. And suits, but it's hard to see how the show re-dressed itself when we return (season three's schedule is still a ways out, despite a quick pickup from HBO). You can surely count on betrayal, though, and the brilliant style that comes with each surprising, shocking, yet somehow still expected new turn.

07:28 | Posted in , , , | Read More �

Bond 23 officially titled Skyfall

A press conference for Bond 23 was held this morning in London, and it was confirmed that the movie will be called Skyfall, a title which producer Barbara Broccoli said “has an emotional context which will be revealed in the film”.
Director Sam Mendes and Daniel Craig were in attendance, as were Javier Bardem, Dame Judi Dench, Naomie Harris and Berenice Marlohe, confirming their involvement in the film. Ralph Fiennes, Albert Finney and Ben Whishaw were also announced as cast members.
Here’s the full press release:
Producers Michael G. Wilson and Barbara Broccoli today presented the cast of the 23rd James Bond adventure, entitled SKYFALL. The film, from Albert R. Broccoli’s Eon Productions, Metro-Goldwyn-Mayer Studios, and Sony Pictures Entertainment, is directed by Academy Award® winner Sam Mendes and stars Daniel Craig, who returns for his third film as James Bond 007. The screenplay is written by Neal Purvis & Robert Wade and John Logan. SKYFALL, which goes into production on Monday, November 7th, will begin its worldwide roll-out in the UK and Ireland on October 26th 2012 and in North America on November 9th 2012.
Joining Michael G. Wilson, Barbara Broccoli and Director Sam Mendes were members of the cast of SKYFALL, including: Daniel Craig, Javier Bardem, Dame Judi Dench, Naomie Harris and Berenice Marlohe. The filmmakers also announced Ralph Fiennes, Albert Finney and Ben Whishaw.
In SKYFALL, Bond’s loyalty to M is tested as her past comes back to haunt her. As MI6 comes under attack, 007 must track down and destroy the threat, no matter how personal the cost.
“We’re so delighted to have Sam Mendes direct SKYFALL and be working once again with Daniel Craig. We’ve a great script, an extraordinary cast and an incredibly talented creative team for this latest James Bond adventure,” said Wilson and Broccoli.
The Director of Photography is Roger Deakins, a nine-time Oscar® nominee who previously shot the films Jarhead and Revolutionary Road for Mendes. The Production Designer is Oscar® winner Dennis Gassner, who previously designed Quantum of Solace and collaborated with Mendes on the films Road to Perdition and Jarhead. The Editor is Stuart Baird, A.C.E., whose many credits include Casino Royale. Jany Temime, whose many credits include the Harry Potter series, In Bruges, and Children of Men, is the Costume Designer. Action specialist Alexander Witt is the 2nd Unit Director. Gary Powell is Stunt Co-ordinator, Chris Corbould is SFX Supervisor and Steve Begg is Visual Effects Supervisor, all of whom have worked on previous Bond films.
It’s good to finally have a brief synopsis for the film. During the press conference Mendes and the cast kept plot details to themselves, and I wouldn’t have it any other way. Mendes said the storyline will take 007 to London, China, Turkey and Scotland, and it had “”all the elements of a classic Bond movie, including – to quell any rumours – lots of action”.

05:55 | Posted in , | Read More �

The Lion King 3D Huge Succes

The Lion King 3D blew past even the most optimistic expectations and scored the second highest opening ever for a movie re-release. Seems The Lion King is still one of the most beloved Disney animated features and with this 3D version a new generation can experience this true classic. The numbers are coming right after the break.
I don’t know about you guys but I still love The Lion King and consider it just as good now as it was 17 years ago when it made $312 million in North America. Back in 2002 it was released again in IMAX and went on to gross another $15.6 million. Now, in 2011, The Lion King 3D opened with a staggering $30.1 million taking a well deserved first place at the box office over the weekend. Thanks to this new 3D remastered version, The Lion King stands at a new grand total of $361 million in North America, overtaking Tim Burton’s Alice in Wonderland and the very recent Transformers: Dark of the Moon, both 3D features.
2nd was Contagion with $14.5 million and after 11 days it has amassed $45.2 million in North America. New release Drive (that I though would finish first) was a bit underwhelming with $11.3 million for 3rd place. I have not seen it yet so I can’t comment on the qualities (or lack of) that are present in Drive. What I can say is, while critics seem to love it, audiences are not as impressed giving Drive a disappointing “C-” CinemaScore (market research firm that surveys film audiences to rate their viewing experiences with letter grades “F” to “A+”, with the average grade for most movies being a “B+”). The CinemaScore of a movie is usually a good indication of the word of mouth it will get and for Drive, it ain’t looking pretty. I’m estimating it will end up with just $25 million when all is said and done, almost doubling the estimated production budget of $13 million (good thing it was so cheap).
The Help finished in 4th place with $6.5 million for an incredible $148 million after 41 days. Just to give you an example, this movie got an “A+” CinemaScore and with fantastic word of mouth came great legs at the box office and look where it is now after opening with just $26 million.
Straw Dogs was a bit down on its luck, only $5.1 million and among similar revenge flicks, that means half as much as the opening of the recently released Colombiana. The last new opener of the weekend was I Don’t Know How She Does It with $4.4 million and 6th place. For Sarah Jessica Parker this is one of her worst openings in recent years, definitely not a good sign for the 46 year old actress.

09:06 | Posted in , | Read More �

300: Battle of Artemisia

300: Battle of Artemisia edged closer to production in July when Noam Murro, director of 2008 rom-com Smart People and the recent Halo video game campaign, was hired by Warner Bros. to direct.
The next stage (presumably) will be to get a cast together, and producer Bernie Goldmann revealed that we may see some familiar faces return. They’re in the script, anyway.
“It’s a different story,” he said. “[However] there’s a small part for Lena [Headey]. There’s a small part for Gerry [Butler].”
Would Gerard be willing to endure the famous ’300 workout’ again just for a small part? I suppose that will depend on his availability (or how much they pay him), but seeing King Leonidas and Queen Gorgo again would be cool.
Goldmann didn’t say anything about who would be joining the film, but said he prefers casting unknowns.
When you make a period movie like that, it’s great not to know the actors,” Goldmann explained. “For me, as an audience, it always brings me into the movie more. You can’t see Tom Cruise in a historical movie. You go, ‘That’s Tom Cruise!’”
As for snagging actors like Butler and Headey for the original, Goldmann recalled, “That was everybody not believing that the movie would be successful that allowed us to cast those actors.” He added, “We went and tried to get all these stars in it and nobody believed in the movie, we didn’t have all the money to pay anybody so we had to cast all these unknowns.”
While unknowns at the time, Gerard Butler, Lena Headey and Michael Fassbender have all gone on to great things post-300 (if you ignore Butler’s rom-coms). The success of 300 will probably attract some names for the prequel, but I wouldn’t have a problem if they cast a bunch of unknowns again.
300: Battle of Artemisia is based on Frank Miller’s upcoming graphic novel that takes Xerxes, the Persian leader who is an antagonist in 300, and turns him into more of a pivotal figure. He’s a man in search of godhood after the death of his father, battling an Athenian warlord named Themistocles. The story takes place over the course of several years, but the focal point is the battle of Artemisium, which occured in 480 BC.

08:12 | Posted in , | Read More �

The Woman In Black Trailer Offers Chills

The teaser arrived in April but now a longer trailer for The Woman in Black has drifted online and can be watched below.

Now this, ladies and germs, is how you do creepy. Scored with little more than a pack of scary old toys (NASTY STARING TOYS AND MONKEYS NO LESS: HOLD US WE’RE TERRIFIED!) and a chillingly effective voice-over from a young girl, the promo sets the scene perfectly.

Not much of the plot is given away, aside from the talk of the central house and its horrific spectre, so a quick refresher for anyone not up to speed: Daniel Radcliffe stars as young lawyer Arthur Kipps, who is summoned to settle the legal affairs of the recently deceased Alice Drablow. When he arrives, he soon discovers that her erstwhile home has a tragic history and a haunted legend, and is quickly enveloped by the mystery…

The cast also includes Ciaran Hinds, Janet McTeer, Sophie Stuckey, Alisa Khazanova and Roger Allam.

If the finished product is half as pant-wettingly fearsome as this trailer, we should be in for something great. James Watkins’ film will be out on February 10 next year.

12:32 | Posted in | Read More �

Scott Directing New Blade Runner Entry!

Here’s something we bet you won’t have seen coming. While there has been plenty of chatter recently about a new Blade Runner film, be it prequel, sequel or whatever, now comes the slightly shocking word from Deadline that no lesser man than original Runner director Ridley Scott has signed on to craft and produce the new instalment.
At this early stage, the details are still fuzzy beyond Scott’s involvement. There’s no writer attached yet and zero story info. In fact, there’s no sign as to whether this will represent a follow-up to the original film or something more along the lines of Scott’s current project, the Alien-adjacent prequel Prometheus.
Another big question is whether Harrison Ford will be involved as hard-bitten future detective Rick Deckard, though the idea of Scott and Ford collaborating once more to bring another chapter of the man’s life to the screen is certainly an enticing prospect.
Still, there’s always the danger of making a mistake by trying to replicate (pun intended) what made the original into a memorable cult hit that flopped when it opened originally but has, of course, grown to become a legend of the genre. Alcon Entertainment nabbed the rights to the Blade Runner concepts this past March and announced the intent to produce new films based on the 1982 original.
With Scott involved, we’re more hopeful that something good can now come of this, though still waiting to see what happens. Deckard in 3D? Could happen, given how Prometheus is being shot…

12:25 | Posted in , | Read More �

Ghost Rider: Spirit Of Vengeance

Columbia has released a loud and crazy first trailer for Ghost Rider: Spirit Of Vengeance, and it already looks better than the first film. Not only does Ghost Rider breathe fire this time round, he pisses it.
Footage from Spirit Of Vengeance was recently screened at the San Diego Comic Con, and has been described as “deranged” and “unspeakably insane“. This trailer seems rather tame compared to what was screened, so more madness will likely be shown in the second trailer.
In the film Johnny Blaze, aka Ghost Rider (Nicolas Cage) is hiding out in remote Eastern Europe and is struggling to repress his curse. Blaze is recruited by a sect to take on the devil (Ciaran Hinds), who wants to take over his mortal son’s body.
Ghost Rider: Spirit of Vengeance is set to be released on February 17, 2012 and is directed by Mark Neveldine and Brian Taylor, the duo behind Crank, Crank: High Voltage, and Gamer. They insist it isn’t a sequel.

12:15 | Posted in | Read More �

Trailer for Roman Polanski’s Carnage

Today sees the release of the first trailer for Roman Polanski’s Carnage, an adaptation of the stage play God of Carnage by Yasmina Reza. The film appears to solely take place within the confines of one house, but that doesn’t matter at all when you have Jodie Foster, John C. Reilly, Kate Winslet and Christoph Waltz being hilarious. Yes, it’s a comedy.
A showdown between two kids: about eleven, in a local playground. Swollen lips, broken teeth…Now the parents of the “victim” have invited the parents of the “bully” to their apartment to sort if out. Cordial banter gradually develops a razor-sharp edge as all four parents reveal their laughable contradictions and grotesque prejudices. None of them will escape the ensuing carnage. Carnage has a US release date set for December 16th, 2011. Potential Oscar-bait?

12:04 | Posted in | Read More �

The Hangover Part II

The Hangover 2 sees Phil (Bradley Cooper), Stu (Ed Helms), Alan (Zach Galifianakis) and Doug (Justin Bartha) travelling to Thailand for Stu’s wedding. After the unforgettable bachelor party in Las Vegas, Stu is taking no chances and has opted for a safe, subdued pre-wedding brunch. However, things don’t always go as planned. Liam Neeson also appears at some point as a tattoo artist.
Warner Bros. has released the second movie trailer for The Hangover 2 and it looks just like the first film, but set in Thailand and with a monkey. Even Ken Jeong is back as Mr. Chow!

13:21 | Posted in , | Read More �

Knight And Day


Knight And Day Tom Cruise New Movie Trailer: Despite it having just been a holiday weekend both here and in the US, with movie news largely slowing to a sickly trickle, someone clearly thought that it was the opportune time to let a load of trailers out of their cages. Now the team behind Tom Cruise/Cameron Diaz action comedy Knight And Day have done the same.
This isn’t exactly what we’d call a whole “new” promo, since it largely features footage we’ve seen before (Diaz talking about the plane crash to Marc Blucas, Cruise showing up, the car stunts, the bulls etc) with just a few additional moments inserted here and there and some funky music. It’s a little bit longer, but we’re hoping it’s a healthy sign of more to see in the finished film that there’s so much repetition of previous beats here.Should you need the plot synopsis again, the movie finds a woman (Diaz) who randomly meets a somewhat eccentric and decidedly lethal secret agent who, she’s soon informed, has suffered some sort of paranoid breakdown and is convinced of a big conspiracy. But the longer she spends time with him, the more she realises that he might just have a point…

20:16 | Posted in | Read More �

Tom cruise In Knight and Day


Knight And Day Tom Cruise New Movie Trailer: Despite it having just been a holiday weekend both here and in the US, with movie news largely slowing to a sickly trickle, someone clearly thought that it was the opportune time to let a load of trailers out of their cages. Now the team behind Tom Cruise/Cameron Diaz action comedy Knight And Day have done the same.


This isn’t exactly what we’d call a whole “new” promo, since it largely features footage we’ve seen before (Diaz talking about the plane crash to Marc Blucas, Cruise showing up, the car stunts, the bulls etc) with just a few additional moments inserted here and there and some funky music. It’s a little bit longer, but we’re hoping it’s a healthy sign of more to see in the finished film that there’s so much repetition of previous beats here.
Should you need the plot synopsis again, the movie finds a woman (Diaz) who randomly meets a somewhat eccentric and decidedly lethal secret agent who, she’s soon informed, has suffered some sort of paranoid breakdown and is convinced of a big conspiracy. But the longer she spends time with him, the more she realises that he might just have a point…

04:43 | Posted in | Read More �

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